Non-profit Organisations

1st year music teachers

March 4, 2013

New music teachers are encouraged sign up to The Music Teacher Project online forum at

This is a new online community especially for first-year music teachers. Share stories about your music teaching experiences – positive, negative and everything in between. It is a dynamic and exciting place, where you can explore who you are as a teacher, ask questions and support one another through this first crucial year.



January 13, 2011

3MBS FM – Program Highlights 3MBS FM is Australia’s leading Community radio station for Fine Music – Classical, Folk and Jazz.

3MBS FM can be streamed live over the internet, making it easy to tune into their “Classically Kids” program from all over the world: Saturday mornings 8-9am (AEST).

3MBS FM 103.5 if you are in Melbourne!


3MBS radio survey

October 1, 2011

3MBS 103.5FM is undertaking a survey which will provide us with feedback on what we are doing well and how we could improve. There is also an opportunity to provide us with general feedback on what you think of 3MBS 103.5FM, with the results of the survey helping us plan the next five years or so. You also have the chance to win a pack of CDs valued at $150.

Click this link to go to the survey:


AMRAP continues … for now!

January 10, 2013
On 21 December 2012 The Minister for Broadband, Communications and the Digital Economy, Senator Stephen Conroy, announced that the government will provide an additional $250,000 to ensure the Australian Music Radio Airplay Project (Amrap) continues for a further six months.

“The additional funding will ensure that Australian musicians and community broadcasters can continue to access Amrap’s services, pending consideration of the project’s long term funding in the 2013-14 Budget,” Senator Conroy said.

“Amrap has successfully increased the amount of Australian music receiving airplay by working closely with Australian musicians and community broadcasters,” said Senator Conroy.

[from CBAA eNews Jan 2013)


Aus Journal Mus Ed

March 10, 2013

The Australian Journal of Music Education 2012 No. 2 has been released as an e-issue.

The issue covers a diverse range of areas of research including:

Where is music?: A philosophical approach inspired by Steve Dillon

– Georgina Barton and Kay Hartwig

Sharing ownership in multicultural music: A hands-on approach in teacher education in South Africa

– Dawn Joseph

“It all begins with the beat of a drum”: Early Australian encounters with Orff Schulwerk

– Wei Cosaitis and Jane Southcott

Root Tone: A holistic approach to tone pedagogy of western classical flute

– Arya BastaniNezhad

The provision of classroom music programs to regional Victorian primary schools

– Jennifer Heinrich

What Would Peggy Do? 14th Annual Peggy Glanville-Hicks Address 2012

– Michael Kieran Harvey

The bands culture in Victoria, Australia: Live music benefits career paths, employment and community

– Amanda Watson, David Forrest

City Beats: A creative community partnership initiative at ArtPlay

– Neryl Jeanneret, Robert Brown

The art of pianism meets science, sustainable performance: Use of arm weight

– Barbara James

If you would like to receive a copy of this e-journal or you have any comments on ASME publications

please send a message to

If you would like to contribute an article to the Australian Journal of Music Education,

the guidelines for submission are available on


Australian and New Zealand Association for Research in Music Education (ANZARME)

December 2, 2009

Go to resource: ANZARME was established in 2007 out of previous music education research organisations.

Read more…


Australian National Association of Teachers of Singing (ANATS)

December 20, 2009

Go to resource: ANATS is the professional association for singing teachers in Australia. Read more…


Australian National Council of Orff Schulwerk Inc (ANCOS)

January 24, 2010

Go to resource: The Australian National Council of Orff Schulwerk Inc (ANCOS) is the Australian organisation for Schulwerk music education methodology, and is linked to the Orff Institute in Salzburg. Read more…


Australian Universities Quality Agency (AUQA)

December 20, 2009

Go to resource: AUQA is the agency that supports, promotes, and reports on quality assurance in tertiary education. Read more…


BER school hall survey

September 28, 2011

Music groups are looking for rehearsal space, in return for FREE tuition or concert tickets for your students!

If you have a new (BER) school hall at your Australian school, please fill in the following survey.

You will be helping local community music groups!


Dalcroze Australia

January 23, 2010

Go to resource: Dalcroze Australia is the official Dalcroze association in Australia and offers courses for teachers. Read more…


Flame Awards announced 2011

July 22, 2011

FLAME AWARDS: This year’s theme is: ‘creative and engaging ways of delivering music education’. Entries are open to Primary and Secondary schools across Australia in 2011.

Visit the Flame Awards website for entry information

Due 22nd August, 2011.


Horizons (Youth Arts Queensland)

January 21, 2010

Go to resource: Horizons is an arts advocacy program run by Youth Arts Queensland. Read more…


Instruments for Peace

May 1, 2013

Read the inspiring article here: Discuss with your class how 1st world countries can help 3rd world countries to access music.


International Music Council

February 4, 2010

Go to resource: The International Music Council, founded by UNESCO in 1949, advocates for musical diversity and cultural rights worldwide. Read more…


Kodaly Music Institute of Australia

December 2, 2009

Go to resource: The Kodaly Music Institute of Australia is a professional not-for-profit association that espouses the pedagogical philosophies of the composer Zoltan Kodaly. Read more…


Music Council of Australia

December 2, 2009

Go to resource: The Music Council of Australia (MCA) is a 50-member Australian music peak body. Its purpose is to bring together all members of the music community to provide a diverse and active musical life in Australia (including music education). Read more…


Music Outback Foundation

December 2, 2009

Go to resource: The Music Outback Foundation provides music education experiences to remote Indigenous schools.

Read more…


MusicCareer wiki

July 4, 2011

Soon to be launched is a wiki for advice and information regarding careers in the music industry – a portal and source of information to help music people, especially artists, develop their careers.


National Council of Tertiary Music Schools

December 13, 2009

Go to resource: The National Council of Tertiary Music Schools (NACTMUS) is an organisation that represents non-profit music tertiary institutions. Read more…


new radio station for light classics

September 5, 2011

4MBS Classic FM, Brisbane’s classical music community station, has introduced a new digital radio service, MBS Light. The new service caters for the large number of people who enjoy the lighter classics, such as the music of Andre Rieu.
The service also offers a greater jazz component than 4MBS Classic.
There are plans to further develop content for MBS Light to provide opportunities for Bribane-based artists and performers via the introduction of radio theatre using talented local actors, directors, musicians and composers.

MBS Light has also provided broadcasting opportunities for a dozen additional announcers. 4MBS is one of several community digital radio stations in Brisbane to introduce a new service. For updates on community digital stations visit


Orff NSW

January 24, 2010

Go to resource: Orff NSW is a non-profit organisation that supports teachers in music education, and is the NSW branch of the national association for Schulwerk methodology.

Their site has links to membership details, workshops, conferences, and further professional learning.


Orff Schulwerk Association of South Australia

January 24, 2010

Go to resource: The Orff Schulwerk Association of South Australia is a non-profit organisation that supports teachers in music education, and is the SA branch of the national association for Schulwerk methodology. Read more…


The Song Room

January 21, 2010

Go to resource: The Song Room offers music programs to school students, particularly those who have no access to music teachers, and disadvantaged students. Their aim is to create self-sustaining music programs in schools. Read more…


Vic Instrumental Teachers – do they need VIT permission to teach?

November 10, 2011

Instrumental Music Teachers and VIT Registration
Frequently Asked Questions
October 2011

This report was prepared by Sue Arney (Secretary – aMuse). It is a summary of the discussion between Sue Arney and  Barbara Carter (Group Manager, Registration & Accreditation, VIT) and Robyn Paull (Manager Registration, VIT) on Tuesday, August 9, 2011. This meeting was held to address and clarify some of the grey areas surrounding VIT registration and instrumental teachers in schools.

The Education and Training Reform Act 2006 makes it clear that the Institute regulates and registers school teachers to undertake the duties of a teacher in Victorian schools.

What consultation process took place prior to the changes to VIT registration?
The changes to the Institute’s Permission to Teach Policy are a result of amendments to the Education and Training Reform Act 2006 which followed a a three year period of parliamentary review and consultation with stakeholders and the profession.

A consultation specifically to review the Permission to Policy following the amendment of the legislation, occurred during 2010 and included principals and teachers from government, Catholic and independent schools including both primary and secondary; teachers, LOTE teachers and regional officers of DEECD, Music Co-ordinators, Directors of Music from key independent schools, representatives of DEECD, ISV and Catholic Education and employment agencies and representatives from the AEU and IEU.

What recommendations were made during this process?
Through this consultation process it was recommended that permission to teach should only be sought for positions which required the knowledge and expertise of a qualified and registered teacher and involved the duties of a teacher in the delivery of an educational program.  Extra curricular and co-curricular programs which operate outside the required curriculum of a school and require the expertise of instructors other than qualified and registered teachers would not require permission to teach.

It was recommended that Instrumental Music programs which do not require qualified teachers would not require permission to teach where an instructor is not a registered teacher.  As such Instrumental Music Instructor or Tutor would be a more appropriate term than teacher to describe these positions.

Why was it necessary to change the Permission to Teach (PTT) category that has existed for many years?
PTT was always meant to be a short-term registration – up to five years – established for those who were actively seeking to complete their teaching qualifications.

There has always been an expectation that teachers who held PTT for this period of time would complete teacher training and move on to gain full registration.

The number of applications for second and subsequent periods of PTT in some areas, including Instrumental Music, where there is no real intention to move towards full registration, had become problematic given the change to legislation.  The legislative requirement, that applications for permission to teach would require evidence that the school had first sought to employ a registered and qualified teacher to fill the position, would result in a significant and unnecessary impost for schools with large Instrumental Music programs.

PTT for Instrumental Music and some other programs such as Sports Coaching and faith leadership to work in ‘any Victorian school’will be honoured for the periods currently granted but over time will be phased out.

Even so, schools and Instrumental music instructors in particular schools may decide that the role undertaken by an Instrumental Music Instructor is the work of a school teacher. The school would advertise the position, seeking a registered teacher, but may seek permission to teach for the role if no suitable qualified teacher applies. The permission in this case would be limited to that school and the requirement to make appropriate progress towards qualification as a teacher within three years would apply.

Would it be possible to create a VIT subcategory for Instrumental Music Teachers that takes into consideration the limited training opportunities and short timeline for re-registration?
No.  The Education and Training Reform Act 2006 makes it clear that the Institute recognises and regulates school teachers who undertake the duties of a teacher in the delivery of educational programs in Victorian schools.

Extra curricular and co-curricular programs, which operate outside the required curriculum, which comprises the education program of a school, generally require the expertise of instructors other than qualified and registered teachers and would not require registration or permission to teach.

Instrumental music instructors together with sports coaches, faith community leaders, speech and drama tutors, voice coaches, and the like,  are able to be employed in schools to provide specialised support to students and the school in their own right and without the requirement for registration as teacher.

How will we ensure teachers working with children in our schools are appropriately checked?

Working With Children legislation now in place in Victoria. Instructors and tutors working in schools in extra curricular and co-curricular programs and who are not required to be registered with the VIT are able to provide an up-to-date Working With Children Check to their Principal, or employer, as evidence of their suitability to work with children.

How will it be possible for Instrumental Teachers who do not currently hold a teaching qualification to undertake a teacher training course if no specific Instrumental Music Teaching course are currently offered in Victoria?
Those who decide to follow the career path of teaching music will need to make a decision about whether or not they undertake a teacher qualification course. This will determine the type of work for which they can be employed.

Several tertiary institutions across Victoria offer a range of diplomas and degrees that will qualify a person as a Music Teacher. The individual needs to make a choice as to how they see their career path.  Specialist instrumental music tuition for individuals and small ensembles is different from music teaching as part of a required, general and comprehensive education.

The current teacher training courses are centred around training individuals to be Classroom Music Teachers. There are no courses currently running in Victoria that offer an Instrumental Music Method. How can Instrumental Music Teachers who are currently in our system, and who wish to undertake an appropriate IMT course, do so when there are none available?
They can either undertake an existing Music teacher education course that will qualify them to teach in the classroom, or investigate courses that run interstate either on or off campus with an instrumental music focus.

aMuse would like to work with the VIT to investigate the possibility of relevant and appropriate teacher training courses being established in Victoria.
The VIT encourages aMuse in co-operation with other music teacher associations to approach tertiary institutions with a view to discussing options for Instrumental Music methods within an initial teacher education program.

The VIT is responsible for accreditation of initial teacher education programs  in Victoria, and would welcome a submission of  such a program from a higher education provider  for review.

It could be possible to explore options for recognition of prior learning with higher education providers, particularly for those who already hold a performance degree or diploma; recognition of prior experience and course delivery that would fit with current employment hours.  (NB aMuse has begun discussions with a number of tertiary institutions in regard to this matter).

There are currently many experienced Instrumental Music Teachers in our schools, a great number with performance degrees and professional performance experience, who would happily undertake a teacher training course if one was available. At present there is no course in Victoria offering Instrumental Music Teaching as a teaching method. Therefore, how can Instrumental Music Teachers demonstrate that they are seeking to become qualified within the next three years?

An application for  PTT registration can still be lodged. The application will ask what teachers have put in place to move towards upgrading their qualifications. In their application teachers can:
·     Demonstrate enrolment in a program of initial teacher education, or units that would ensure their eligibility for a teacher education course if they do not yet have an undergraduate degree;.

·     Demonstrate strong involvement in professional development activities that enhance their professional learning in music and for teaching;

·     Show evidence of a documented PL plan that is supported by the school

·     Demonstrate their willingness and desire to undertake further training to update their teaching skills

·     Include an endorsement from their school of the above

Cite that they keen to explore the option of an appropriate course when it becomes available

Each application is looked at and considered on its own merits.

Who will determine whether or not an Instrumental Music Teacher should apply for or hold VIT registration.
The decision about whether a position requires a registered teacher is a decision made at the school level. In many schools the nature of the performing arts program and the place of individual components of the program in the curriculum will be resolved after a broad ranging discussion of the curriculum.

If the role of the teacher is delivering part of the required school curriculum then they will need to be registered with the VIT. If they are delivering a program or instructing in an area deemed by the school to be ‘extra curricula’ or ‘co-curricula’ then they will not. The VIT advises that applications for permission to teach from schools seeking to employ teachers in performing arts programs and music programs with a strong instrumental focus will be welcomed.  (It should be noted that the school or employer will have advertised for a school teacher for this role in the first instance.)

The only change is that persons registered with permission to teach will be granted permission for three years and will be required to show evidence of progress toward qualification as a teacher should they seek a further period of permission.

Information regarding the decision making process advised by the Institute has been made available to all schools and is accessible from the Institute website on the Principal pages.

Is Instrumental Music considered to be “curriculum”?

The decision about whether or not instrumental music is considered ‘curriculum’, ‘authorized curriculum’, ‘required curriculum’ or ‘core curriculum’ is largely up to each individual Principal and school. The Principal therefore has the responsibility of deciding whether or not IMTs should have VIT registration based on which area of the school or the particular program they are teaching in.

Schools need to be clear about how they see the instrumental music program fitting into their schools overall curriculum program..

The following FAQs address employment issues that are NOT within the jurisdiction of the Victorian Institute of Teaching. aMuse will continue to seek clarification from Human Resources at DEECD and teacher unions on these matters.

aMuse has received concerns from experienced teachers who do not hold a teaching qualification, who have been told by their Principals that due to changes in the VIT policy their employment will cease at the end of the year.
Employment of Instrumental Music Teachers is a school (employer’s) responsibility.
This example is an employment situation and is the responsibility of the Principal.
It is outside the jurisdiction of the VIT.

If Instrumental Music Teachers are not registered with the VIT, who is responsible for their teaching conditions? Eg class sizes, supervision duties etc
The teaching conditions for Instrumental Music Teachers, whether registered with the VIT or not, are the responsibility of the Principal.

Schools are responsible for showing due diligence in the care of all students as well as for their staff. This does not fall within the jurisdiction of the VIT.

The Principal has a duty of care to ensure students are adequately supervised whilst both on school grounds and during excursions, camps and so on. This applies to class sizes, rehearsals, concerts and camps.

(NB: aMuse has agree to put together a Code of Conduct based on current DEECD Duty of Care regulations to distribute to schools in order to remind both Principals and Music Staff of responsibilities in this area

Some other questions raised but not addressed at the meeting held 9 August 2011.

·     IMTs without VIT registration and no longer considered ‘teachers’ are unsure about how their employment conditions will be affected. Who will now set the criteria for pay, increments, leave entitlements, hours of duty etc and how will they be transferred across?

·     aMuse has also received calls from Instrumental Music Teachers who have contacted their Region with questions about VIT registration and have been told that it is the expected that ALL music teachers hold VIT registration. How will we resolve this conflict?

·     How will Instrumental Music Teachers who have, up until now, held PTT registration be affected if their VIT registration is not renewed? Will there TO number disappear? How will their pay structure be affected?

Permission to teach policy: FAQs for principals can be sourced form this page:


Victorian Orff Schulwerk Association

January 24, 2010

Go to resource: The Victorian Orff Schulwerk Association is a non-profit organisation that supports teachers in music education, and is the Victorian branch of the national association for Schulwerk methodology. Read more…


West Australian Orff Schulwerk Association

January 24, 2010

Go to resource: The West Australian Orff Schulwerk Association is a non-profit organisation that supports teachers in music education, and is the WA branch of the national association for Schulwerk methodology. Read more…


Western Edge Youth Arts (Victoria)

January 21, 2010

Go to resource: Western Edge Youth Arts is a Western Victorian not-for-profit organisation that provides arts experiences to young people. Read more…


Wollongong Conservatorium of Music

December 2, 2009

Go to resource: The Wollongong Conservatorium, located 1 hour south of Sydney, is one of the NSW Regional Conservatoriums.

Read more…


World Youth Music projects: MEGY

July 28, 2012

After the successful completion of the project "Music Empowers Global
Youth", we are pleased to release this info letter which features
activities and outcomes of the project.
"The central objective of the project is to enhance active youth participation in all
aspects of the music sector worldwide, and through this to empower young people to take
on a more active role in shaping their future as citizens of Europe and the world.
The project activities and the resulting structures and network enable mobility of
young people and youth workers and develop sustainable partnerships and networks
between young people and youth and cultural organisations worldwide."

Youth Arts Queensland

January 21, 2010

Go to resource: Youth Arts Queensland is an organisation that supports young and emerging artists in Queensland. Read more…